Known as one of the kindest people on dA, loved by many, admired by her romantic style, and looked up to, Ana Cruz or `LuneBleu has been struggling against people who steal her artwork and offend her.
Strong as she is, she rises up and keeps a steady path finnishing her graphic design degree after many years of practising a completly different art: professional make up.

You've been working on digital Art for quite some time, when you look back to your oldest works, how do you see them? How do you feel you've grown?
Honestly I look at them and I think wow, I was really bad; but at the same time, I have a special place for them in my heart. There was a certain purity about them and they are all part of my growth and evolution as an artist. I developed my style, my techniques and along with that, a new perspective of my own art. I still have a long path ahead of me but that just puts a smile on my face.
Do you think the people who follow your work feel the same way as you?
I believe that some of them might feel the same way I do or even are similar beings. I always try to create images from within my emotions and my state of mind so, if people feel connected to them theres a big possibility that they identify themselves with my art, with my own state of mind. In the end thats one of the biggest pleasures of doing art: doing something that you know people will relate to, doing something that bonds them to me in a certain way.

You started as someone self taught, but recently you started studying graphic design in college, how did it help you develop your most recent illustrations?
It definitely was a big help, specially in the way that the course is enlarging my horizons in a way to better understand the audience and to be even more focused on things around us; understanding a concept and what we are asked to do. Regarding software, even on Photoshop I learned some very cool tricks I still didnt knew about. In a general way, its been very fulfilling and rewarding.
If you could work with any artist in history [ contemporary or already dead ] who would you choose?
Well I wont be naming anyone that already got very high standarts (like Da Vinci or Dali). I would really love to work with Brom. Hes an American artist/illustrator and his artworks simply blow me away. I found out his work some years ago on Magic the Gathering cards and, since then Ive been following his work. In my opinion: a true master.

Do you try to have your own "visual" signature in your works, or is it something natural that comes with having your own style?
Honestly, I never planned to have a certain visual signature, in the way that ohh Ill do this all the time so people know its me. People usually tell me that the super long entwined hair, the low saturated tones and the little pair of skulls I usually put on the models hair are my stronger visual signatures but, I started to use those features a lot because I loved them. For a very long time Ive been loving to do low saturated images and very long hair, entwined on branches, horns, etc., and, even without noticing, it ended up being part of my visual signature, my style. The little skulls, well, I found them so cute that I just have to add them on my artworks every time I can. In the end, they also became part of my visual signature as well. Anyway, I always try not to get too attached to a specific visual language; I always aim for evolution. Right now Im trying to avoid low saturated tones and Im adventuring myself in the world of colors. Lets see what will happen from there.
Do your friends and family know about your wonderful talent? How do they respond to it?
Yes of course! They all give me tremendous support and like what I do. Even the most conservative family members appreciate my art, despite they say sometimes oh its very beautiful but girl, you should try doing some more cheerful things. Its all very dark; but in the end they respect and like my art and, thats all that matters.

What was the weirdest moment you felt inspired to start a new work?
I guess it was when I created La danse macabre. I was literally having a dying stupid moment, watching circus on TV. It was a number where little poodles were hopping through a hoop and suddenly I thought: ohh this is cool, I should do this with crows definitely. On that moment I instantly got the whole image on my head; and I ran to the computer to start creating it.
Do you portrait yourself in every picture, in a wishful way, or do you solely project a world of fantasy?
I always portray myself in my artworks. Even the hoop with crows has a special meaning. The crow standing on the hoop has a key; that key will open the gates to a secret realm, away from this sad reality. Ive always been disappointed with the real world so, big part of my day is spent day dreaming about other realms and other ways of living live, rather than just surviving. I have to say that, that is definitely my biggest inspiration for creating a new artwork: the dislike of reality and the passion for the mystery and everything thats beyond this sad and boring life.

Do you have your own favorite pieces among your own work? Which are they and why?
I have to say that Prelude to immortal dreams is definitely my favorite artwork. I created it after a long period being ill and not able to almost get out of bed. My thirst for create something was killing me and, the pleasure I had while creating this image is beyond words. I love the final result because its so smooth and pure. Also it was the first time I used the crow & key symbology so, that image definitely holds a very special place in my heart.
How does being an artist fit in your daily routine? Is it something you feel and live along your day, or is it something you keep for alone times?
Not counting my house duties, my days are divided between my Graphic Design course and my art & freelance projects. I spend my days dealing with this and I have to say that I love it. I try to make a good use of my time because, after my boyfriend gets home, everything stops. I noticed that I cant work if theres someone around; as if my creative flow was pressed the pause button. I need my space, my music, my time .. I need to be me without anyone or anything distracting me.
Thank you Ana for allowing me to have this interview with you
Links
:: Ana Cruz is `LuneBleu
:: Contact anacruz.arts@gmail.com
:: Facebook
:: Twitter
:: Website
Strong as she is, she rises up and keeps a steady path finnishing her graphic design degree after many years of practising a completly different art: professional make up.

You've been working on digital Art for quite some time, when you look back to your oldest works, how do you see them? How do you feel you've grown?
Honestly I look at them and I think wow, I was really bad; but at the same time, I have a special place for them in my heart. There was a certain purity about them and they are all part of my growth and evolution as an artist. I developed my style, my techniques and along with that, a new perspective of my own art. I still have a long path ahead of me but that just puts a smile on my face.
Do you think the people who follow your work feel the same way as you?
I believe that some of them might feel the same way I do or even are similar beings. I always try to create images from within my emotions and my state of mind so, if people feel connected to them theres a big possibility that they identify themselves with my art, with my own state of mind. In the end thats one of the biggest pleasures of doing art: doing something that you know people will relate to, doing something that bonds them to me in a certain way.

You started as someone self taught, but recently you started studying graphic design in college, how did it help you develop your most recent illustrations?
It definitely was a big help, specially in the way that the course is enlarging my horizons in a way to better understand the audience and to be even more focused on things around us; understanding a concept and what we are asked to do. Regarding software, even on Photoshop I learned some very cool tricks I still didnt knew about. In a general way, its been very fulfilling and rewarding.
If you could work with any artist in history [ contemporary or already dead ] who would you choose?
Well I wont be naming anyone that already got very high standarts (like Da Vinci or Dali). I would really love to work with Brom. Hes an American artist/illustrator and his artworks simply blow me away. I found out his work some years ago on Magic the Gathering cards and, since then Ive been following his work. In my opinion: a true master.

Do you try to have your own "visual" signature in your works, or is it something natural that comes with having your own style?
Honestly, I never planned to have a certain visual signature, in the way that ohh Ill do this all the time so people know its me. People usually tell me that the super long entwined hair, the low saturated tones and the little pair of skulls I usually put on the models hair are my stronger visual signatures but, I started to use those features a lot because I loved them. For a very long time Ive been loving to do low saturated images and very long hair, entwined on branches, horns, etc., and, even without noticing, it ended up being part of my visual signature, my style. The little skulls, well, I found them so cute that I just have to add them on my artworks every time I can. In the end, they also became part of my visual signature as well. Anyway, I always try not to get too attached to a specific visual language; I always aim for evolution. Right now Im trying to avoid low saturated tones and Im adventuring myself in the world of colors. Lets see what will happen from there.
Do your friends and family know about your wonderful talent? How do they respond to it?
Yes of course! They all give me tremendous support and like what I do. Even the most conservative family members appreciate my art, despite they say sometimes oh its very beautiful but girl, you should try doing some more cheerful things. Its all very dark; but in the end they respect and like my art and, thats all that matters.

What was the weirdest moment you felt inspired to start a new work?
I guess it was when I created La danse macabre. I was literally having a dying stupid moment, watching circus on TV. It was a number where little poodles were hopping through a hoop and suddenly I thought: ohh this is cool, I should do this with crows definitely. On that moment I instantly got the whole image on my head; and I ran to the computer to start creating it.
Do you portrait yourself in every picture, in a wishful way, or do you solely project a world of fantasy?
I always portray myself in my artworks. Even the hoop with crows has a special meaning. The crow standing on the hoop has a key; that key will open the gates to a secret realm, away from this sad reality. Ive always been disappointed with the real world so, big part of my day is spent day dreaming about other realms and other ways of living live, rather than just surviving. I have to say that, that is definitely my biggest inspiration for creating a new artwork: the dislike of reality and the passion for the mystery and everything thats beyond this sad and boring life.

Do you have your own favorite pieces among your own work? Which are they and why?
I have to say that Prelude to immortal dreams is definitely my favorite artwork. I created it after a long period being ill and not able to almost get out of bed. My thirst for create something was killing me and, the pleasure I had while creating this image is beyond words. I love the final result because its so smooth and pure. Also it was the first time I used the crow & key symbology so, that image definitely holds a very special place in my heart.
How does being an artist fit in your daily routine? Is it something you feel and live along your day, or is it something you keep for alone times?
Not counting my house duties, my days are divided between my Graphic Design course and my art & freelance projects. I spend my days dealing with this and I have to say that I love it. I try to make a good use of my time because, after my boyfriend gets home, everything stops. I noticed that I cant work if theres someone around; as if my creative flow was pressed the pause button. I need my space, my music, my time .. I need to be me without anyone or anything distracting me.
Thank you Ana for allowing me to have this interview with you
:: Ana Cruz is `LuneBleu
:: Contact anacruz.arts@gmail.com
:: Website
































































































































